Showing posts with label getting published. Show all posts
Showing posts with label getting published. Show all posts

Wednesday, January 16, 2013

Happy Birthday to me!



Although I look 50 and I say I'm 50, there are those who suspect I'm not. So...how old am I today? 
What better day than a birthday to reminisce about those days of olde...

 ___________ 
I’m so old I remember party lines and owned a car with an 8-track player.
I’m so old, I remember the first time I heard the word “microwave” and decades later, the word “cell phone”.
I remember black and orange computer monitors, learning DOS, and buying floppy disks.

I’m so old I remember my mom being appalled when women started wear pants...with zippers in the FRONT.
I’m so old I remember my mom being appalled at the shortness of my miniskirt and the longness of young boys’ hair.
I’m so old I remember being appalled at men wearing earrings.

I’m so old...
I’m so old I remember riding in a car that had to be cranked to be started.  I remember my sister going to a one-room school house. I remember Dick and Jane and Sally, and Betty and Tom and Susan.

I remember not being able to apply to become a police officer when I finished high school...because I was female. (Not that wanted to. I just was upset that I couldn’t—you had to be there to understand. These were bra-burning days, you see. Which, by the way, was also an activity that appalled my mother.)

I’m so old both my mother and I overcame being appalled at things. 

I might be old, but, I'm not too old to make my dreams come true  Two years ago I had no books published, now I have four novels with my name on the covers.

But, here’s the real clues to how old I am...

I'm so old I was already 9 when the Beatles appeared on the Ed Sullivan Show. I didn’t see them, though, because I was13 before we had electricity in our house and 14 before we got our first TV. 

My dad finally broke down and bought that old black and white because he wanted to watch the first man walk on the moon.

That, my kidlets, is how old I am. So...happy birthday to me!
__________________________

          THE TRAZ
      My Debut Novel
    A dream come true
               Today
        Only 99 cents!


Sunday, April 15, 2012

Catching a publisher...

 
How THE TRAZ caught the eyes of a publisher

I was hunkering down to learn the ropes of self-publishing, having given up hopes of capturing an agent or publisher, when I received an emailed contract from WolfSinger Publications for my Sci-Fi novella, SCHRÖDINGER’S CAT.  This was a complete surprise as I had submitted my manuscript almost 2 years earlier.  It was a WONDERFUL surprise, though.  Awesome.


The eyes on this new cover designed by my publisher catch everybody's attention

With such a confidence-booster now under my belt, I decided to continue on my journey to self-publishing—after all, if someone else thought they could make money off my writing, why shouldn’t I believe I could?
 
I spent lots of time and money preparing THE TRAZ for publication and learned many new things. I used some of the money I had saved by quitting smoking to pay for coaching, editing, covers, press releases trailers….

Along with those direct expenses, I built a website and blog, learned to Twitter, and tackled facebook—I increased my cyberspace presence in preparation for marketing THE TRAZ to the world. 


I paid for the design of this cover for THE TRAZ 1st Edition paperback

I established relationships, both online and face-to-face, with librarians, media personnel, teachers, adults who work with at-risk children… I garnered beta readers, proof readers, and reviewers.

I published THE TRAZ first as an eBook and then as a paperback. Once the paperback was out, (shortly after the release of Schrodinger’s Cat) I arranged book-signings, media interviews, and speaking engagements.

Then I began working on publishing the sequel to THE TRAZ. I was about to lay out some coin for the initial editing, when Imajin Books approached me. They wanted the eRights to THE TRAZ and both print and eRights to the sequel. I admit I was astounded. 

Yes, Imajin Books was familiar with me through my online presence, previous correspondence and a business relationship. I knew the publisher had read and reviewed THE TRAZ, but hadn’t read the sequel—nobody had read the sequel. They were willing to take a chance unseen on my next book.  That amazed me—and frightened me. But I quickly signed.

It was a bit difficult to give up the total control one has when self-publishing…but not all that hard—because it is quite easy not to spend all the money needed to bring a fine product to market. It is also quite easy to accept advance deposits into one’s PayPal account.

Besides, I’d been through this process with WolfSinger—and it hadn’t been at all painful.

Soon, Imajin Books also purchased the rights to publish both ebook and print School Editions of THE TRAZ, complete with a Teaching Guide at the back. 

Where’s my career going to go from here?  I can only Imajin….
__________________________________________

THE TRAZ eBook is free on Amazon Kindle for THREE DAYS ONLY-- April 14, 15 and 16. Don’t have a Kindle? No problem—you can easily download Amazon’s free KINDLE FOR PCs software to read eBooks on your computer. There are also Kindle Apps for iPhones and Androids.

THE TRAZ is available in paperback and ebook formats and in a special School Edition that includes a Teaching Guide. Click on the following links to purchase or sample THE TRAZ

Also available from other fine online bookstores.
If THE TRAZ is not on your local bookstore or library shelves, ask for it to be ordered in for you.

“LEAVE A COMMENT, WIN A KINDLE” Virtual Book Tour. Follow me through cyberspace as I promote THE TRAZ on blogs around the world. Each time you leave a comment beneath my guest blogs, I’ll enter your name in my draw for a Kindle.  For more details visit my  Facebook Fan Appreciation Page or follow me on Twitter.

Eileen Schuh is also the author of the adult Sci-Fi novella SCHRÖDINGER’S CAT

For more information on Schuh and her books visit her at:
Follow Katrina on Twitter: KatrinaBuckhold





Eileen Schuh, Canadian writer www.eileenschuh.com

Friday, May 13, 2011

Gearing up for Sales

While my manuscript continues to be formatted for eBook publication, I'm gearing up to promote THE TRAZ so that it will make me a rich and famous author.

Aside from becoming extra active on my social networks and my blogs, I posted an excerpt from THE TRAZ on my website.  I also began creating a pre-release press release, designed to stir advance interest in my book and net me some interviews and media coverage. 

I have a strong desire to call such publicity "media releases" or "news releases" because way back decades ago when I was a journalist,  TV and radio reporters objected to the phrase "press release" as 'press' refers only to print media.

Today, it seems "press release" is once again the phrase in vogue.  During my years as a reporter and editor, I gained lots of experience with press releases--reading them.  I quickly discovered that writing them requires an entirely new set of skills. 

Writing a press release is not at all like writing a news story.  Nor is it similar to pitching your manuscript to an editor or publisher.  It is not like tweeting or facebooking.  It's just...well, it's just it's own kind of writing.

Firstly, I needed a catchy headline, short but informative.  Accurate but alluring.  One promoting THE TRAZ but not obviously so.

Below that catchy headline I needed a sub headline--a short and sweet something to keep the reader reading.

Then I needed to remember to put in the dateline (ST. PAUL, AB 19 May 2011).  In my journalistic days, the place in the dateline was always the location from which the reporter was writing--not necessarily where the action was occurring.  I understand that not all media outlets still follow that rule.  Whatever the case, what better town to put in the dateline than my adopted home of St. Paul?  Surely that will catch the eye of the local newspaper and radio station and get me an interview or two.

For my first sentence, I needed an exciting summary of the press release and I had to keep in mind my target readership.  Although THE TRAZ is being marketed as YA, it won't be young adults receiving my press release. 

This introduction needed to excite media people, educators, librarians, child support people, and book reviewers. 

Following all that, I found it fairly easy to complete the body of the press release--describe the book (I used the back cover text that I'd  already prepared), include wonderful blurbs from famous Canadian authors (which I already had solicited and received), inform people how to buy the book (which they can't do yet, but contact me and I'll set you up), and paste in my already-prepared author bio.

I highlighted my contact information for those wanting to request interviews or further information.

I polished it all off with some visual and auditory stimulation: my video trailer, the picture of my book cover, and my author picture.








Now the press release sits on my hard drive, its tab on my tool bar.  Every hour or so, I open it and proof it again.  I email it to a few friends for comments and corrections.

While it ages and improves, I research the big WWW for press release outfits to which I can email this promotional masterpiece.  I learn how to format according to each company's guidelines.   I collect the contact information for media outlets in all my past and present home communities.  I play Bubble Shooter, check my email, and bemoan the facts that it's Friday the 13th and Twitter has disappeared from cyberspace.

I set the release date for Tuesday May 17th (as Mondays are generally the busiest news days of the week and my press release may be overlooked) and hope that by then I can Tweet about the latest step in my seemingly endless journey to eBook publication.



Eileen Schuh, Canadian writer
THE TRAZ
SCHRÖDINGER'S CAT
 http://www.eileenschuh.com/

Wednesday, December 1, 2010

Guest Blog: Jan Markley

AND THE WINNER IS:

Congratulations to Sarah Butland for winning an autographed copy of Jan Markley's latest release DEAD BIRD THROUGH THE CAT DOOR. 

Thank you to all who entered. 
__________________________________________
I'm happy to host Alberta author, Jan Markley, who is celebrating the launch of her second book in her MegaByte series, "Dead Bird Through the Cat Door". I interviewed Jan a year or so ago when she received her first publishing contract and am excited that she's enjoying continuing success.


And yes, there is a give-away happening here again...

Take it away, Jan!

Side kicks we love
and...
Dead Bird through the Cat Door book give-away

 My favourite side-kick was Karate from Batfink. He was the not-so-super slick side-kick to Batfink who would say things like “I ate my way out. I love caramel” to Batfinks “Your bullets can not hurt me, my wings are like a shield of steel.”


Batfink & Karate
Side-kick characters serve a number of purposes. They can make the hero look good, provide for comic relief (or be the straight man), be a companion of the hero, a counterpoint to the hero (offer a different pov) and give the hero someone to talk to. Or in the case of Todd, the side-kick to Cyd and Jane in Dead Bird through the Cat Door, they can irritate the twin detectives.

In Dead Frog on the Porch we met Todd. He was the leader of the Safari Sleepoveer at the Zoo when Cyd and Jane were in hot pursuit of the Cheese Pie Man (the culprit). Todd interrupted a near-strangulation of the twins. So he was a bit helpful.

Well he’s back as a full on side-kick character in Dead Bird through the Cat Door and his main role seems to be annoying Cyd and Jane. I love this character. He’s funny, he’s smart, he’s ambitious and he has the ear of the bad guys which comes in handy. He creates a lot of conflict between the sisters. He’s got a crush on their mom (which is gross) and one of the twins has a crush on him (though she won’t admit it). The twins need him because he has access to the bird sanctuary where some interesting goings on are happening including the kidnapping of cats to kill birds. But he’s a bit high maintenance. He’s made me really appreciate the role of the side-kick character.
___________________________
You may purchase Jan's book through http://www.amazon.com

     WIN!

Win an autographed copy of Jan's latest release: Dead Bird Through the Cat Door

Leave a comment and contact information below to be automatically entered to win. [Click on the green word "comment" below. Scroll down until you reach the place to enter your comment.]
Jan and I are suggesting you comment about your favourite side-kick character.  If you are a writer, tell us about the secondary character you created that you like most. 
To increase your chances of winning, sign up to follow my blog (click on the "Follow" button to the right of this column beneath the heading "Followers".  (Your name will be entered twice if you comment and follow)

To REALLY increase your chances to win, follow this link to Jan's blog
http://janmarkley.blogspot.com and follow hers as well. (Your name will be entered three times if you comment and follow both my blog and Jan's).

Contest closes 6 pm Friday, 10 December 2010. 

Winner will be announced Monday 13 December 2010.
Good luck to everyone.

Eileen Schuh, Author
SCHRODINGER'S CAT
 http://www.eileenschuh.com/

Monday, September 13, 2010

You know you're a crime novelist when...

The top ten traits of a crime novelist:

10. When you don’t answer the phone because you’ve just stepped out of the shower you worry for the rest of the day that the robber who called to ensure no one was at home is going to show up on your doorstep–or in your basement.

9. When you see the flashers of a cop car behind you, you’re pretty sure they are pulling you over to ask for your help in solving a major crime

8. You are certain that at some point in your life you are going to discover human remains and it won’t be in a funeral home or a graveyard

7. You know the number for Crime Stoppers and have to resist calling in tips on what murder investigators ought to be doing. You also want to read them your list of suspects.

6. You think your novel is more exciting and more realistic than that "other author’s" True Crime books.

5. You vehemently deny that you ever wanted a ‘real’ career in law enforcement. And you lock all your doors and are in bed by 10:00 pm–unless you are in the middle of writing an exciting scene. In which case you go to bed two hours before your alarm goes off.

4. You believe you would be a good candidate for the next Commander in Chief of the RCMP and are a bit disappointed when no one calls.

3. You believe that cops are simply engaging in an grand conspiracy of denial when they say real-life policing is not nearly as exciting as it is on TV.

2. The lady crossing the street in a wheelchair looks suspicious to you.

AND...the top trait of a Crime novelist:

You think publishers are rejecting your manuscripts because they are afraid either the police or organized crime will come after them if they print your novels

Eileen Schuh
Author "Schrodinger's Cat"
http://www.eileenschuh.com/

Wednesday, September 1, 2010

A year ago last night...

A year ago last night I smoked my last cigarette, tossed the butt into the campfire, and went to bed. The next three months were hell. I gained 25 pounds over the first four weeks mostly because I bought 3lb bulk bags of Rocket candies. I liked unrolling them from the cellophane. I liked popping them into my mouth, one at a time, and feeling them fizzle and melt on my tongue--tiny bursts of pleasure to replace the quick fix of a cigarette.

I dutifully continued my Champix prescription--the smoking-cessation drug that stole the pleasure from nicotine. Knowing that even if I did sneak a smoke it would do nothing for me, certainly helped keep me from temptation. Although I imagined (and often dreamed) about the relaxation,the stimulation, the comfort, the pain-relief that I'd get from dragging on a cigarette, filling my lungs, and exhaling—the reality was--I'd get no comfort.

Soon, Rockets no longer comforted me, either. The first six months were a continuous battle to find a replacement for cigarettes, a desperate seeking for something to fill that empty, cold, black hole in my gut, my soul, my life.

Excercising, forums/information/support at http://www.quitnet.com/ , pacing, eating, yoga, deep-breathing, family visits, phone calls, hikes, anti-depressants, bubblebaths, wonderfully supportive friends and family.

I create a website, learned to Tweet, began blogging, wrote novels, queried agents,and, yes, signed my very first publishing contract. “Schrodinger’s Cat”, a novella to be released by Wolfsinger Publications in both print and ebook format in 2011, is the fufilment of a childhood dream.

I’ve overcome my agony. I’ve learned, grown, stretched, cried, smiled and laughed. I’ve succeeded. All without the “help” of nicotine. There is a life beyond the butt. I still struggle with weight. Struggle with cravings. Struggle with the emptiness.

The best motto for me is that I can, at any time I want to, light up again. I don't, because I choose not to. That’s an important choice that others under control of the nicotine demons, don’t have. I’m free and intend to remain so.

I donated the first $1,000 I saved to the Haitian Red Cross earthquake relief and the second $1,000 to the Pakistan flood relief effort. It’s neat that so many have benefited from my quitting. It’s incentive for me to keep quit. Someone somewhere in the future is going to need monetary help and I’d feel pretty badly if I’d already wasted those needed dollars on a senseless harmful pleasure.

Thanks, guys for your unfailing support. Share with me in celebrating a full year free from cigarettes.

To join me in supporting the Red Cross Pakistan relief effort visit my personal Red Cross fundraising page http://my.e2rm.com/personalPage.aspx?registrationID=936168

Or visit my website http://www.eileenschuh.com/books-free-reads/ where I’m offering donors a free short story. Links to various charities precede “A Nepaterian Visitation”.

My Quit Smoking diary starts here: http://eileenschuh.blogspot.com/2009/08/on-addiction.html

Eileen Schuh,Canadian writer
http://www.eileenschuh.com/

Monday, July 19, 2010

"I'll be happy when..."

I learned to read when I was three. I nagged my older sister into bringing books home from school for me to devour.

Perhaps my passion for literature stems from the fact I was raised in isolation on a dirt farm on Alberta’s prairies. There were no televisions, telephones, iPhones, iPods/Pads, or playschools. In fact, there was no electricity. I quickly discovered that books were at least as entertaining as trapping gophers, petting piglets, and building tree forts. Their exciting worlds and colourful people deepened my life and stirred my imagination. It was about then that I decided I would write books.

As I aged, I discovered that writing wasn’t a lucrative career but rather something one must have money to do—a profession somewhat like farming. But, like farming, I decided, these difficulties could be overcome if one possessed a passion for the craft.

“Please, God,” I prayed as education, various paying careers, a marriage, and three children sucked away the years. “If you just help me find the finances to write a book, I will be happy forever. I promise.”

There were small writing successes—a children’s short story, a magazine article, a Journalism diploma. I managed to wangle a few years as a small-town reporter and a newspaper editor. My life took me through a dozen moves and through the decades many half-written books, sketchy stories, diaries, poems, and letters were packed away and forgotten.

The muses, however, never let me forget my passion. “Please, God,” they prayed with me. “Give Eileen the time, the energy, the money, the space to write and she’ll be happy forever. We promise.”

When my youngest turned 25, when the family business finally became self-supporting, when an able secretary finally took my place behind my desk and in front of the phone, I announced to my family and my world, that I, Eileen Schuh, was going to make her childhood dream come true.

Fifty years of pent up stories spewed forth. Words, phrases, settings, characters, and plots. Sunsets, autumn leaves, and azure skies. Page after page. Chapter after chapter. Sequel after sequel. I was writing.

“Please, God,” I prayed as my queries netted rejection after rejection. “If you just help me get one of my books published, I’ll be happy forever. I promise.”

A story resurfaced that had germinated during the time when I was mothering three toddlers. I transcribed it from my mind to my computer. I re-read, researched, re-wrote, and revised. I acquired a Book Marketing Coach--Cheryl K Tardif--and with her able help, I created a cyberspace presence. I learned to Tweet. I established a blog and a website. I joined writers’ groups and forums. I researched publishers and agents. I attended writers’ conferences.

I hesitantly sent out queries to publishers. “Are you interested,” I asked, “in a psychological crime thriller that spans two universes?” Two of the three publishers I emailed it to, rejected it within weeks. Thirteen months later I flicked on my computer, played solitaire until the internet connected, and then opened my yahoo email account and clicked on my first message:

“Eileen,
Sorry for the delay. I’m finally getting caught up and I’m pleased to let you know that I would like to accept Schrödinger's Cat for publication by WolfSinger Publications in 2011….

Attached is a
contract.... I look forward to working with you….”

I stared at my monitor. My story would be a book in 2011…a book, with my name on. An ebook as well as a print book—“Schrödinger’s Cat” by Eileen Schuh.

I stared at the surreal email. I made a coffee and ate a candy. I paced. There were tiny little tears. Though I had met many along the way, this journey to fulfill a life-long dream had in essence been a solo journey. In like form, I relished the solitary celebration and savoured my success in quietude.

Not until hours later, when my husband arrived home from work, did I share the news. He looked proud.

I intended my son, Christopher, to be the next one I’d tell. I grabbed his passport from my safe and raced to town. He’d bought a motorcycle and was planning to cross the border on a business road trip to Reno.

I sat across from him in his office and hesitantly laid his passport on the desk. He still had the golden curls and blue eyes with which he’d been born. His warm smile was very familiar. As was his dimple. His chuckle. His grin.

“When are you leaving?” I asked. “When will you be back? Will you have your cell phone? Watch for other drivers. Don’t get lost. Call me.”

He printed his itinerary, scribbled phone numbers on the back. Smiled. He was happy. Excited. He didn’t want me to ruin it by worrying.

I stood to leave. “Drive slow. Watch for deer. Have fun. Call me.” I plodded back to my car, turn the ignition key, and whisper a prayer. “God, keep him safe.”

When I got home, I realized that I forgot to tell Christopher that I’m about to become a published author. I sent him an email.

The next day hubby and I went to our cabin. Our friends invited us next door for the evening. As we walked the path through the budding Saskatoon bushes, I rehearsed my announcement and anticipated their response. I accepted a beer and took a chair by their campfire.

We talked about the long and happy summer days of the not-so-long-ago—when we were younger, our kids were toddlers, and our parents still shared our lives. It was past midnight but the summer solstice twilight was still brushing orange across the western sky when we headed back to our cabin. I looked up at the distant, faint stars. Was heaven up there? “Dear God, please hold those we once touched and loved close to your heart.”

Not until I was in bed did I realize I’d forgotten to tell the neighbours that I was about to become a published author. For how many years had I longed for this moment? “Dear God, I’ll be happy when...” Here I was, with that when present, and suddenly so much other stuff seemed so much more important.

There are many morals to this story. However, the most important lesson I learned is that happiness isn’t derived from outer circumstances but rather bubbles up from within. Do not wait for happiness—reach out and grab it. Create it. Coddle it. Embrace it. Find it in many places.

Have many goals. Many successes. Many people in your life.

Never give up on your dreams.
Be passionate about your pursuits.
Live a full and busy life.

"Schrödinger’s Cat," an adult sci-fi novella will be published in 2011.

Chordelia finds herself straddling two of the alternate realities proposed in Everett’s Many Worlds Theory of Quantum Physics.

The emotional toll of living two diverse lives proves too much. She must decide if she is willing to sacrifice the chance to be with her dying child in order to save her marriage in the other universe.

She thinks she’s planned it well—she’s researched her choices, prepared herself for the consequences, put everything in place. She makes her decision. However....

Life, as it has the propensity to do, strikes back with the dark and unexpected.

WolfSinger Publications, out of Security, Colorado, USA, is a micro-press company that publishes short novels. Their print books are available through online retailers such as Amazon.com, Barnes & Noble.com, Borders.com and their ebooks are available from places like Amazon.com (Kindle), Apple (iPad), Kobo and Barnes & Noble.com, Smashwords.com and other ebook
retailers.

Wofsinger offered contracts on 11 books for 2011.

Wolfsinger is also the parent for two on-line magazines:
The Lorelei Signal http://www.loreleisignal.com/
and Sorcerous Signals http://www.sorceroussignals.com/
as well as the print compilation of both - Mystic Signals.

They have a FaceBook page and a website
http://www.wolfsingerpubs.com/


Eileen Schuh,Canadian Author
"Schrödinger’s Cat"
http://www.eileenschuh.com/

Wednesday, July 7, 2010

Who's Schrödinger’s Cat?

My first published novel, Schrödinger’s Cat, will be released in 2011 by Wolfsinger Publications. But, who the heck is Schrödinger and what’s with his cat?

That’s what my hapless heroine asked when confronted with that phrase. It all has to do with quantum physics, believe it or not.

“Oh, I thought you meant cat, like pussy cat,” Chorie said.
“I do mean a pussy cat.”
“Quantum physics has pussy cats?”
Click to sample or purchase

Yes, quantum physics has a cat. A cat trapped in a box. A cat that is neither dead nor alive. It all started like this:

The tiny building blocks that make up matter, like electrons and photons, have dual personalities. Scientists can do experiments that prove these quanta are not particles but wave functions. Unfortunately for those of us who are rational, they also can do experiments that prove they are not wave functions but particles. Quantum physicists learned to live with the ambiguity and declared that it was the observation of these entities that determined which face they showed to the world.

Along about that time, Schrödinger said something like, “Wait a minute, guys. That makes no sense at all. Suppose you put a cat in a box and then you shoot an electron at it. Suppose the box is rigged to kill the cat if the electron turns out to be a particle and not kill it if it is a wave function. What happens to the cat until an observer takes a peak to see which face the electron showed us?”

Everyone went something like, “Oh, yeah. You’re right. There must be something wrong with our math. With our experiments. With our equations.”

Then along came Everett. And he said, “Wait a minute, guys. Your theory is correct because everything that can possibly happen does happen. Each possibility splits off into a new dimension. Schrödinger’s electron is both a particle and a wave function. The cat both lives and dies. The observer sees the cat both dead and alive. This is my Many Worlds Theory and it gets rid of Schrödinger’s troublesome cat and lets you keep your math and science and ambiguity. For in one world the electron is a particle and the observer finds the cat dead. In another world, the electron is a wave function and the observer sees the cat alive.”

Or something like that.

Schrödinger’s Cat by Eileen Schuh—a psychological crime thriller than spans two universes. Coming in 2011 from Wolfsinger Publications.

Stay tuned for more information on my writing career—and on Schrödinger’s nasty feline.


Eileen Schuh, Author
FATAL ERROR

Schrödinger's Cat
THE TRAZ

Thursday, April 15, 2010

Top Tips for Novice Novelists: Dialogue Tags

He said...She said...They said & we wept--Excuse me, ma’am, your dialogue tags are showing.

Someone criticized my example of bad writing in my 5 Tiny Tips blog. He said it was ‘contrived’. Until he said that, I had been so proud of myself for coming up with four sentences that illustrated five common writing errors—yet still made sense. *sigh*

I promise I’ll write badly much better this time.

I am deleting my definitions of dialgue tags, action tags, dialogue beats, and action beats since there appears to be much disagreement over this. Suffice to say, I am talking about the words writers use to describe who is saying something and how they are saying it. These words are used to glue written conversations to the story and sometimes to advance the plot and reveal characters.

I use lots of dialogue in my novels. Years ago an editor criticized my lack of diaglogue tags. It is more common for editors to complain about too many tags. Leave it up to me, though, to do the uncommon.

I must have over-compensated, because I now get criticised for using too many tags.

“Don’t go!” he said. The simple “he said”/”she said” is touted as one of the best tags, if one must use tags. It is basically invisible to the reader. That is, it doesn’t interfere with the flow of images that the written words are creating in readers’ minds. I’m not as enthralled with the ‘he/she said’ tags as the experts are. To me, this sentence needs more than just an exclamation mark to convey its meaning. It says more if I use a word like ‘warned’ in the attribution.

“Don’t go!” he warned. “Don’t go!” he shouted. “Don’t go!” he screamed. “Don’t go!” he ordered. Warned, shouted, screamed, and ordered are distinct behaviours. They contain important information that will make a big difference to a reader’s understanding of the story.

“Don’t go,” he screamed. The common advice I’ve received is that if I tell you he screamed I don’t need an exclamation mark. However, in my opinion, deleting the exclamation mark delays the emotional connotation too long. By the time readers get to the ‘screamed’ part of the sentence, they’ve already heard the words in their heads—and without an exclamation mark it’s not likely they’ve imagined that the words were spoken loudly. One thing that really frustrates readers is being forced to revise their mental images. Readers want their images to unfold smoothly—like movies playing in their heads.

Purists hate exclamation marks, but how else can I reveal the angst and anger driving my characters’ conversations? How can I accurately describe to my readers, the words of men who have booming, reverberating, baritone voices?

Rearranging the sentence might work to delete the dreaded exclamation mark. What do you think? Which reads smoothest?
He screamed, “Don’t go.”
He screamed, “Don’t go!”


Despite the common advice to severely limit dialogue tags,attributions, beats, creative adverbs,substitutions for "said", and exclamation marks, I use them. Like I said, a large part of my story telling is done with dialogue and it is imperative I convey the emotional intensity accompanying the words.

“Don’t go,” she pleaded.
“Don’t go,” he whispered.
“Don’t! Go!”


Describing nonverbal communication behaviours is a technique that can be used as an alternative to 'he said/she said'. You might notice that this technique fulfills the writer’s mandate to show, not tell. It makes dialogue more dynamic--enabling conversations to advance the plot, deepen characterizations, and help set the scene.

Tears streamed down her cheeks. “Don’t go.”
He clenched his fists and stepped between her and the door. “Don’t go!”
He grabbed her elbow. “Don’t go.”


Whatever your personal beliefs about tags and beats, keep in mind that few things annoy readers more than having to count back through sentences to determine which person is saying what. If a conversation is lengthy and you don’t want to use tags, please use something to clue me in about who is speaking.

He grabbed her elbow. “Don’t go.” (indicating gender can be a clue)
“But, Charles, you know that I must.” (name-dropping works, especially in two-person conversations)
“That ain’t true.” (dialects are a dead give-away)
“It is.” She wiped a curl from her cheek. (Some would call this an example of an ‘action tag’. Be wary of using too many action tags. They can exhaust readers and detract from the dialogue.)
He limped to the window and stared at the traffic below. “Don’t go.” (For variety, throw in some physical clues, habits, scents, etc.)

In a roomful of men, perhaps one smokes, one has a beard, one an accent—distinctive characteristics that can be woven into the conversation in lieu of dialogue tags.

“Don’t go.” A puff of blue smoke followed his words across the room.

I suggest writers quit worrying about the prevalence, benefits, and pitfalls of dialogue tags and just make sure their writing (whether it is dialogue or otherwise) includes a variety of sentence structures and minimal word repetition. Those two things, more than all else, will ensure their writing flows.

For indepth information on techniques for writing great dialogue, read this article by the great Canadian author and book marketing coach, Cheryl Kaye Tardif.
Writing Dialogue That Speaks Volumes

“That’s it for this blog,” Eileen said. She glanced at her watch and grimaced. “I must get to bed before the sun rises.”

* * *
Help! So much is happening all at once and I have to write it one word at a time...
Some tips on writing effective action scenes...coming soon.

Eileen Schuh,
Canadian writer

Friday, March 26, 2010

5 Tiny Tips

I was told that authors’ blogs, in addition to promoting their books and skills, generally provide tips to writers. However, as I have not succeeded in publishing a novel I was reluctant to offer advice. Surely, I thought, my readers would rightfully question my qualifications. Perhaps they’d be inclined to do the opposite of what I suggest, believing that doing so would give them a better chance at a successful writing career.

However, yesterday as I read the opening chapters of novel submissions on the Harper Collins Authonomy website ( http://www.authonomy.com ) it struck me that I’ve learned a fair amount in the past few months. A lot of it simple stuff, but stuff that makes a manuscript shine. Stuff that makes readers/agents/editors choose one story over the thousands out there.

I was once, not too long ago, of the opinion that if one wrote a great story, with a great plot and awesome characters, publishers would buy it and pay an editor to fix up one's writing. Needless to say, I’ve changed my mind. To catch anybody’s eye, one’s writing must shine. It must glisten.

Excellent, powerful, polished writing is more likely to garner a publishing contract than great plots and loveable characters.

Why? Pretend you are an editor with five hundred manuscript submissions on your desk. Or, imagine you’re a reader in a bookstore, thumbing through books looking for one to buy. You choose one and open it to the first page:

“I don’t believe you said that,” Eileen said, turning around and heading toward the door. She was as angry as a wet hen.

“You better believe it,” Cheryl said, rising up and stepping toward her from behind her rich, red mahogany desk.

“You do realize who you are talking to?” Eileen asked, placing her hand around the brass doorknob and turning it.

Okay. So you might be really interested in why Eileen thinks she’s special and what Cheryl said to piss her off. But the writing…is awful!

Five simple things that I’ve learned lately:
#1:
use ‘ing’ words sparingly. Although there is nothing intrinsically or grammatically wrong with them, too many slow the pace of the story. I'm speaking of 'ing' words like turning (2), heading, stepping, talking, placing, rising… (Wow! Seven out of the 62 words in the above excerpt are ‘ing’ words.)

#2: watch for repetition of words (In the above four sentences, I twice used ‘turning’ and ‘around’)

#3: get rid of useless words (people can turn instead of turning around. They can rise instead of rising up)

#4: replace clichés with wonderful, powerful phrases that are uniquely yours. For 50 years your readers have been imagining angry wet hens. Today, they pick up your story wanting to experience novelty, participate in adventure, live in a world different than the one with angry hens--the one in which they’ve been living for 50 years.

#5: Within a sentence, tell your readers things in the order that they happened. Readers are using your words to create images in their minds. A good writer ensures her readers can proceed smoothly from one image to the next without having to re-create images to accommodate new information.

So, you set that book down, pick up the next one, open it to the front page and start reading. (Instead of “You start reading the front page of the next book, having set the first one down and opened the second.”)

“I don’t believe you said that!” Eileen shouted. She spun away and headed to the door. The acrid scent of anger trailed her.

Cheryl slowly rose and stepped from behind her rich, red mahogany desk. “You better believe it.”

Eileen paused, her fingers wrapped tightly around the brass knob. “You do realize to whom you’re talking?”

Same story. Same characters. Same setting. Fifty-six vs 62 words. (That would be a difference of six thousand or more words over the length of a novel) Which story would you choose to read?

I invite you to peruse the many novels on the Harper Collins Authonomy website. This site provides writers a great opportunity to study the differences between well-written manuscripts and novice attempts. Anybody can read the books posted by authors. If you register, you can also vote and leave comments.

I'd love you to read the opening chapters of my novel, FIREWALLS, on Authonomy. Let me know what you think: http://www.authonomy.com/ViewBook.aspx?bookid=18428
______________________________________________

"He said...She said...They said & we wept--Excuse me, ma’am, your dialogue tags are showing."

Some more tips for the novice writer coming soon!


Eileen Schuh,
Canadian writer
www.eileenschuh.com

Friday, November 20, 2009

Epiphany

E.piph.a.ny (noun) [i piffbnee]
1. sudden realization
A sudden intuitive leap of understanding, especially through an ordinary but striking occurrence.
Encarta Dictionary: English (North America)

I had intended ‘Magic of the Muses’ to be a blog about my journey towards publication. Instead, it turned into a diary of my Quest to Quit smoking. I reluctantly admitted that my blog was not attracting the attention of editors, writers, agents, and publishers, but rather drawing visits and comments from scientists, from those in the throes of nicotine withdrawal, and from those professing to hold the magic solution to addiction.

As I dealt with the pangs of quitting, I doggedly pursued my efforts to find an agent--pitching my adult novel, “Noraebang.” However, my obsession with cigarettes (or lack thereof) took a toll on my creativity. My writing efforts became limited to short email queries, blog updates on my battle with the butt, and incessant chatter on Quitnet forums.

When I hit day 60 smoke-free, I began proudly offering advice to those less seasoned in their quitting efforts, despite the fact I was becoming increasingly tense about finishing the last of my Champix prescription. It was about then that a Quitnet expert advised me that if I wanted to be a successful quitter, I had to give up my belief that cigarettes were pleasurable.

I didn’t think this was a viable concept as I considered the pleasure derived from nicotine a ‘fact’, not a ‘belief’.

However, I remembered once reading that one should be wary of putting too much faith in facts. Facts change. For example, it was once a fact that man could not journey to the moon. Was the pleasure of smoking a malleable fact like man’s space-travelling abilities? Or was it an unchangeable and forever kind of fact, like 1 + 1 = 2?

During each of my three pregnancies, cigarettes (both mine and others) were obnoxious and nauseating—not really a pleasure. Perhaps there was some flexibility to the fact. Perhaps cigarettes weren’t pleasurable when I was pregnant and weren’t pleasurable to some people, but...if I were to, say, suck back a Player’s Smooth with tomorrow morning’s coffee, could I actually believe that experience would not be pleasurable?

An ad hoc poll of my ex-smoking buddies showed them evenly split between those who believed cigarettes were no longer pleasurable, and those who had no doubts that they were. If I could bring myself to believe that smoking was a disgusting, unsatisfying activity, it would certainly be a fair bit easier to give up my cravings, resist temptation, and get on with a smoke-free life—forever. But was it at all possible?

Was it even sane to convince oneself to believe something that one knows isn’t true? I worried I was doomed to be a slave to nicotine. And all the pain and panic of the past weeks would be for nought.

Then something strange happened.

I opened my eyes one morning, pushed my Pomeranian away from my face, and knew something I hadn’t known when I went to sleep. I immediately panicked.

Although it is eerie that characters visit me, dictate stories to me, boss me around, and argue and stuff, I love writing and their stories are so interesting I find it easy to ignore the freakiness.
But this was different. I simply opened my eyes and my brain had this thought, "Quitting smoking is just like 'Noraebang'".

And I go, “Yeah, like right.” The pom is again licking my face—a sure sign that he needs to go out. I toss him to the floor. Some of the characters in my novel, “Noraebang,” smoke, but as far as I know, none of them quit.

My head insists on explaining the wayward thought, "The addiction--"

"Noraebang isn't about addiction,” I argue, reluctantly pushing back the covers and setting my feet on the floor. “It's about a woman in an abusive relationship." I swing my feet in circles to keep my toes away from the puppy’s tongue.

"And how does it end?"

"Not very well," I think dourly. I shuffle to the door and escort the pup onto the balcony. "I thought the heroine finally saw the villain for what he was in reality, but the moment there's an inkling of a chance that he loves her, Allie is back grovelling at his feet..."

"What was he in reality that she didn’t see?"

"Carbon was a scum bag! He raped her; beat her; abused and used her." I glower out across the leafless treetops. The misty morning autumn air slides under my nightie. I shiver. The pond is still. A lone Canada goose swoops in for a landing.

"Does the scum bag love her?"

"I have no idea. If he does, it certainly doesn't match my definition of love." I think about the ending to the story. I hadn’t wanted that ending. I had wanted my hapless heroine to be intelligent, strong--to be guided by commonsense. I wanted her to discover real love, not remained trapped by her misplaced loyalty to an abusive man.

"Does she love him?"

"Yeah. Unfortunately..." The dog is scratching at the door to go back in.

"Why?"

A flock of geese floats in over the far hill. My lone goose rises to join his brethren. I follow the dog back into the bedroom.

"I don't know why she loves him. His sparkling eyes? Perhaps his deception?”

It wasn’t easy knowing why she loved him. He’d lied to her about his feelings, his motives...lied about everything. I open the bedroom door and puppy runs to find his master. I hear coffee perking. I close the door to the smell of fresh ground Arabica and shuffle to the ensuite.

“At one time,” I point out to myself, “she needed to bond with him to survive. Maybe she's scared of what life will be like without him. Maybe it gives her justification for falling for him in the first place."

"Ahh, I see. Substitute "she" in the preceding conversation with 'Eileen' and "he" with 'cigarettes' and what have you got?"

Does Eileen love cigarettes?

Yeah. Unfortunately...

Why?

I don't know why. Cigarette’s sparking eyes? Perhaps cigarette’s deception? At one time, I needed them. Cigarettes lied to me about their feelings, their motives...lied about everything. Maybe I’m scared of what life will be like without cigarettes. Maybe it gives me justification for starting to smoke in the first place....

Yes, my life surprisingly parallels that of a heroine in a novel I’d written long before I’d even considered giving up cigarettes. I hadn’t known then, hadn’t known until now that entanglement in an abusive relationship was so similar to an addiction.

I stare at my reflection in the vanity mirror. My heroine didn’t learn to ‘unlove’ her abuser as I had wanted, but perhaps I ought to quit loving nicotine and see it for the villainous, dangerous, abusive, enslaving thing that it is. I was beginning to believe it was possible, imperative. I sigh and turn from the mirror.

Now, if only Allie had come to believe Carbon was a no good rotter...

Ephiphany: A sudden intuitive leap of understanding, especially through an ordinary but striking occurrence.

Eileen Schuh,
Canadian writer
http://www.eileenschuh.com/

Sunday, November 15, 2009

Jan Markley, Dead Frogs, & Getting Published

What’s it like to get your first book published?

For those of us destined (so far) to live vicariously through our fellow writers, I invited Jan Markley to tell it to us like it is. I’m very honoured that she agreed to make time in her busy schedule to share with us the details.

Although Jan has seen her creative non-fiction and humourous personal essays published in the Globe and Mail and West Word (magazine of the Writers Guild of Alberta), "Dead Frog on the Porch" is her debut novel. She describes it as “...a comedic mystery adventure for middle grade readers.” It is the first in the Megabyte Mystery Series.

Jan lives in Calgary, Alberta and is active in the writers’ community through the Writers Guild of Alberta, Young Alberta Books Society and the Society of Children’s Book Writers and Illustrators. She’s a big believer in writing critiquing groups and has been a member of the Kensington Writers’ Group for several years.

She has a Master of Arts, Social Science degree in Cultural Anthropology. She’s proud of her thesis entitled: “Walking in the Footsteps of our Ancestors”: Present Day Representation of Peigan/Blackfoot Cultural Identity, University of Calgary (2002). She enjoyed researching her thesis at the Peigan First Nation in southern Alberta. In order to feed her keen interest in other cultures, she has travelled extensively, most recently to India.


I asked Jan to compare the pleasure of seeing “Dead Frog on my Porch” published, to the pleasure of writing the novel.

Jan:
“It was important to me that my novel get published as I worked as a professional writer for many years as a journalist. But being a writer is more about who I am as a person than a profession. I have always been a writer.

The writing of the book, the craft, was very important to me. I wanted it to be a well-written novel for middle grade readers aged 8-12 as I think that age group demands a good story. It is gratifying to see the book and to hear what children think of it after they read it.

Eileen: With this question, Jan, I’m looking for some words of encouragement for those of us still waiting for our first book to become a reality. How many rejection letters did you get before you received your first publishing contract?

Jan:
"Many. I documented my ‘how I got published’ story on my blog which is called: Three Dead Moths in my Mailbox: From Finished Manuscript to Book Publishing contract. (To read more , click on this link to Jan's blog (http://janmarkley.blogspot.com/ )

I found the three keys to getting published were rewriting, persistence, and stalking!"

Eileen: Did you come away with anything positive from rejections?

Jan:
"Yes, as you know there is a hierarchy of rejection letters. I sent out queries and then was asked, y a number of publishers and agents, for my full manuscript which was a good sign. Then I began to get long rejection letters outlining what they liked and what was the stumbling block to them publishing it. They would then outline suggested areas for rewriting and ask me to resubmit it. This happened with a couple of publishers so I knew that I was getting closer.

If you find that you get several rejections that mention the same issues, such as plot or character, then you need to look at that seriously.

If you are getting form rejection letters then perhaps you sent the manuscript out too early and need to do a couple more rewrites."

Eileen: How did you learn you were being offered a publishing contract? Tell us about that moment.

Jan:
"It was an email from my publisher Crystal Stranaghan. I wrote about it on my blog as well as in an article for the WGA (Writers Guild of Alberta)"

(To read her account of those breathless first moments click on this link to her blog: It was a cold and lonely Tuesday )

Eileen: After signing the contract, what was the next most exciting thing to happen?

Jan:
"Oh, lots of things, getting a website up, starting a blog, planning a book tour.

The process of going through the substantive editing phase was interesting and helpful, as was the process of going through the galleys and the copy editing stage.

Seeing the book in my hot little hands for the first time was great. The book launches were exciting. And most recently, one of the most exciting things was seeing my book randomly stuffed into my niece’s backpack – just like a regular book!"

Eileen: Your book has been recently published and you are now promoting it. Tell us about the pros and cons of that aspect of your profession.

Jan:
"Well, now I’m a tadpole in a very large pond of literary frogs. As you know, there are many great Canadian writers and I am thrilled to be in their company, and I’ve benefited from their advice over the years.

I think it’s a continual process of looking for opportunities to promote your book and talk to parents, teachers and librarians about it.

I joined a number of organizations such as the Young Alberta Book Society, the Society of Children’s Book Writers and Illustrators, and I’ve been a member of the Writers Guild for years."

Eileen: Tell us a bit about “Dead Frog on the Porch”.

Jan:
It’s a mystery/adventure for middle-grade readers aged 8-12.

When twin sisters Cyd and Jane are propelled into an international plot that involves evil scientists and giant genetically stretched frogs, the girls are in a suspenseful and hilarious race to save the frog kingdom.

Feeling bad after she accidentally killed her sister’s frog, Cyd gets caught up in Jane’s obsessive search for an answer to the mystery. But first they have to get past their scientist mom who sides with the geneticists, and the police who don’t believe them. The girls use the Internet to track down the culprits, outsmart them with an antidote to the serum, and expose the scientists for the harm they are causing to the frog kingdom.

Slithering out of a near strangulation by a boa constrictor, and a way-to-close-call escape from a plant vault, their safety is in danger as they get up the noses of the scientists. If their love of animals wasn’t enough to motivate them, scratching yet another mosquito bite, the girls discover the link between frogs, the environment and humanity

The modern characters routinely evoke the spirit of Nancy Drew and use technology and old fashioned curiosity to solve the crime. Armed with strong personal convictions about animals and the environment, the characters act on their belief that kids can change the world even if it is one frog at a time.

The novel started as a ‘write an incident from your childhood’ writing exercise, so I wrote about the time I accidently killed my friend Jane’s pet frog. I recently found Jane and blogged about what it was like tracking her down and finding her after all these years. She still has pet frogs and kept them far away from me when I visited!"

Eileen: What is your advice to those of us still seeking a publisher?

Jan:
"Do your homework. I think the biggest mistake writers aspiring to be published make is sending a manuscript out before it is ready. A first draft is just that. Send it through your writers group or your beta readers, then rewrite and rewrite some more.

Learn as much as you can about your craft, and read in the genre you are writing and other genres. My blog is about where writing meets life and where life meets writing and I post about aspects of story development and writing.

Educate your self about the publishing industry. A couple of blogs written by agents are particularly helpful in keeping you informed about what’s going on in the publishing industry – Nathan Bransford and Janet Reid’s blogs."

Eileen: Where can we buy “Dead Frog on my Porch?”

Jan:
"You can get it through Amazon.com or Amazon.ca. You can get it through your local independent bookstore. If you want to order it in for your school, check out Gumboot Books website for more information."

Eileen: When will your next book be out?

Jan:
"The next book in the Megabyte Mystery series is called, "Dead Bird through the Cat Door" and should be available fall 2010 from Gumboot Books."

Eileen: Again, thanks so much, Jan. Doing this interview was truly a thrill for me.


Eileen Schuh,
Canadian writer
http://www.eileenschuh.com/