Many professions require uniforms, or steel-toed boots, gas-masks, or
airbags. Perhaps a Taser, a safety rope, or shatter-proof goggles.
Some require makeup and high heels.
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Novelists, though are required to lay themselves out bare--devoid of even sunscreen protection. Just out there...naked. For all the world to see. To scrutinize. To compare, criticize and ridicule.
Or...to enjoy.
The scariest part of writing novels is laying one's soul bare but if one doesn't, the reader knows immediately. A single sentence that muffles a point, a plot that ends too abruptly, a protagonist who, for a brief moment in time, steps out of character...the reader spots it--like a gerentologist spots dementia, a wrinkle...a single grey hair.
But we authors oh, so much want to glide over issues that pain our hearts, or stir bad memories, or require too much research. Perhaps we're embarrassed by our promiscuous characters, or taken back by a blasphemous curse, or unsure if there's a difference between a pistol and a revolver.
I write crime novels and I'm terrified I'll anger a criminal gang...or the cops. I'm scared those who know me (but not all that well) will imagine I must have a sordid, drug-dealing, biker mama past...or a secret background in law enforcement.
However, I'm slowly coming to feel more confident in my work as reviews from those within the judicial and educational systems and those who deal with at-risk youngsters confirm that my stories are indeed realistic--despite the fact that many of us might prefer that they weren't.
"Although occasionally I got a slight feeling of disbelief..." one reviewer wrote, because after all, who wants to imagine a real-life 13-year old kid becoming involved in drug dealing and murder and cybercrime?
But those in the know, know that kids younger than my little Katrina are being recruited by criminal gangs to do their dirty work in exchange for belonging, or money, or drugs. Those making the big bucks stay out of jail by building layers of lackeys, both young and old, between them and their deeds. They toss these lost, lonely, hurting youngsters empty promises that their juvenile status will protect them from the law and all other evil that their actions may cause. They suck them in and do not let them leave.
"To understand our children, it is nécessaire to read this book," one reader in France wrote.
Claudia Lefeve, a teacher of criminology said,
"...Schuh managed to
write a wonderful book deeply rooted in truth and reality." Lefeve has since put THE TRAZ on a suggested reading list for her college students.
Lloyanne Galas, a provisional psychologist working with youth and teens said she found THE TRAZ
"...to be an amazingly
insightful story paralleling so many youth with whom I work."
So...here's to THE TRAZ for shining a light on the dark side of life and revealing the natures of the adults who live there.
Here's to THE TRAZ for reminding us our youngsters are in danger and cluing us in on what to do to help keep them safe.
Here's to me for being brave enough to lay myself bare, to let the characters tell their stories in the excruciatingly honest, brutal, coarse way those tales needed to be told.
And...here's to you, my readers, who have given me the confidence to promote THE TRAZ and continue writing the BackTracker saga.
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FATAL ERROR, Book II in the BackTracker Series will be released later this year by
Imajin Books.
THE TRAZ also comes in a
School Edition complete with Discussion Guide. Both editions are available in both eBook and
paperback formats.
Eileen Schuh,
Canadian writer
www.eileenschuh.com
