As with every rule, the 'write what you know' advice to authors is often broken. Over the course of a novel, an author is bound to run into a circumstance, law, technology, setting, or activity that they're unfamiliar with in real life.
Of course some genres require less research and accuracy than others. For example, a fantasy author would have more leeway with facts than a writer of historical romance.
Russell Brooks wrote an interesting blog "I’ve never held a gun, but I still shoot people" (http://criminalmindsatwork.blogspot.com/ ) about the firearms research he did for his crime novels.
I, too, write crime fiction. The heroine of my Back Tracker series solves cyberspace and computer crimes. Now, although I've had a computer since PCs first came out in the early 80's, since one needed to know dos to run one, and even though I have been online since online became a word--I really know tweet all about today's computer technology and even less about the Internet, networking, intranet, and other such things that are part of our interconnectedness. I'm also not in any mood to listen to lectures on this subject or enroll in a techie course.
All the same, my novels are quite accurate, have been at times prophetic, and will, I'm sure, prove believable to the geekiest of computer geeks.
For an example of what kind of research I do to ensure I stay within the realm of believability on this subject of which I know so little, check out my blog Cyber Crime Villains on http://criminalmindsatwork.blogspot.com/
Scanning news headlines for story ideas is one of my favourite pastimes. It's a much more 'Eileen-friendly' research option than listening to even 10 minutes of a computer nut's expose.
Headlines about software gliches in Iran's nuclear reactor and America's F-35 fighter jet beg to be turned into novels about espionage, or sabotage, or...the possibilities are endless.
Intriguing stories can be build around international crimes via computer technology and secret technology peeking over the horizon. Online sex scandals, internet luring, child porn, and cyberspace hate crimes provide the juice needed to create gripping, emotional tales.
Behind every computer is a vulnerable human who can be blackmailed, bought, seduced, or...the possibilities are endless. Which may be why I was able to draft 10 novels in my Back Tracker series and never run out of inspiration and never repeat a plot.
For more information on my Back Tracker novels visit my website: http://www.eileenschuh.com
Eileen Schuh, Author
"Schrodinger's Cat"
http://www.eileenschuh.com/
Tuesday, October 26, 2010
Tuesday, October 5, 2010
Whale Song: A book review
I was captured by Cheryl Kaye Tardif’s emotional tale, “Whale Song” the moment the Nootka elder gave Sarah her Indian name: Hai Nai Yu―The Wise One of the One Who Knows.This is an adolescent story with two very obvious differences. Firstly, although it’s about a young girl growing up, it is narrated from an adult’s point of view. And secondly, although it is brimming with the wisdom that comes only with age, the story is written for a child.
It’s an ageless story, though, and appeals to readers across generations. Whale Song teaches us not only about the traditions and lore of Canada’s west coast Indians, but also about ourselves—about the children we once were and the wise elders we are destined to become.
Cheryl so capably captures the essence of the aboriginal oral tradition of story-telling. There are those who say kids don’t take to tales designed to instil life lessons. Yet cultures across the world know otherwise. The best way to pass wisdom from generation to generation is to wrap it in a good story.
I remember interviewing a Cree elder during my days as a journalist. I was confounded by the woman’s simplistic sentence structures (after all, she had a university doctorate), the abundant seemingly-unrelated details in her answers, her slow speech, the antiquated clichés.
An hour in and I was becoming increasingly embarrassed by both my impatience and the patience of the orator. About then I realized I ought to relax into Dr. Makokis' compelling story and quit interrupting. I was speaking too loudly, talking too quickly, and begging for short answers that would fit nicely into a column inch.
Whale Song is narrated in a similar manner to this honourable tradition of oral story-telling.
It seems to ramble and take its time as all great lessons do. (Why do I need to know how Sarah’s parents met all those years ago and that Sarah’s birth was preceded by a miscarriage?).
It contains multitudinous details that at first glance seem irrelevant but are really symbolic. (What pre-teen kid notices “...a cedar shelf was mounted to the peach-coloured wall...the walls were painted the palest sage green and along the ceiling edge ran a soft leafy border...”?)
And then there are the clichés. (“I froze, dead in my tracks...the bustling city of San Francisco...the wide-open plains...A sharp crack of thunder...From that moment on, we were inseparable...I raced downstairs...my stomach twisted into tight knots...”)
These clichés, though, are the vessels of traditional knowledge and lore—the keepers of truths. Because clichés say it best, these phrases stay with us from generation to generation.
Although it may be challenging to find the time to traverse the strange loops and twists that eventually lead to the truth, I have no doubt that we ought to make the time. We also ought to teach our children to have the patience for wisdom.
The young and the young at heart will savour Whale Song’s slow and thoughtful use of words. They’ll enjoy how the story circles back into itself and will find comfort in the rhythmic placement of familiar ancient phrases.
Whatever state of mind we’re in when we first open the book, it doesn’t take long to be lured into Sarah’s painful and courageous journey. We soon feel compelled to discover how 11-year-old Sarah evolves into Hai Nai Yu―The Wise One of the One Who Knows.
Cheryl Kaye Tardif, your words made me weep. Whale Song.
A word from Cheryl:Whale Song is what I call "my heart book". There is so much of me in Sarah, but the novel is not biographical. I am emotionally invested in this novel, like no other, probably because it was my first novel and definitely because of the story itself. Whale Song was inspired by my love for killer whales and the ocean. I'm a BC girl living in Alberta now, and the call of the ocean is always strong.
Whale Song is available in ebook edition and can be purchased in various formats via Amazon's Kindle Store, KoboBooks, Smashwords and more. It is out of print as a trade paperback, however it will be back in print in a few months with bonus content.
I've recently detoured from suspense and YA to romantic suspense with my new release Lancelot's Lady (Sept. 27th), and I invite you to check it out along with my other books--Skeletons in the Closet & Other Creepy Stories, The River, Divine Intervention and Remote Control. ~ CKT

You can learn more about Lancelot's Lady and Cherish D'Angelo (aka Cheryl Kaye Tardif) at http://www.cherishdangelo.com and http://www.cherylktardif.blogspot.com.
Prizes & Giveaways: Follow Cherish from September 27 to October 10 on her Cherish the Romance Virtual Book Tour and win prizes.
Leave a comment here with your email address and you will receive a free ebook and automatically be entered into Cheryl’s draws for other great prizes including a Kobo ereader. Winners will be announced after October 10th.
Eileen Schuh,Canadian writerhttp://www.eileenschuh.com/
Monday, October 4, 2010
Juvenile Crime Characters
Using juvenile characters as either victims or perpetrators in crime novels adds many dimensions to a story. In both my young adult and adult novels, I’m especially prone to characterizing ‘criminal kids’.
Youngsters cast in evil roles pull at caring adults’ heart strings, especially if traumatic life circumstances precede their acts of violence and criminality. The nurture/sympathy vs hatred/fear ambivalence that juvenile criminals arouse can be used to create tension both in co-starring adult characters and in readers.
In addition to the more commonly portrayed child/child and adult/adult relationships, a story with a criminal kid character provides an opportunity to explore the special adult/child relationship. That “position of trust” can be portrayed as protector/protected, teacher/student, leader/follower or perhaps even abuser/abused.
The possibility that one bad choice by a child is going to forever ruin her life creates emotional intensity. A writer can deepen that suspense by having an evil adult character manipulating that criminal child.
Because laws are often much gentler toward youth than adults, the criminal behaviour of kid characters can easily be portrayed as resulting in redemption, salvation, remorse, growth, and learning, which opens the opportunity for creative and fulfilling endings—the story can be about so much more than “crime doesn’t pay” or “the cops always get their man.”
A human being’s brain doesn’t physically develop the full capacity to anticipate the results of one’s actions until one is around 25-years-old. A writer, by exploring the results of poor choices, parasitic relationships, and adult weaknesses and manipulations, can help youngsters avoid making costly and/or deadly mistakes.
Written correctly, novels that include juvenile characters can serve as learning tools not only for children but also for the adults in their lives.
For a peek at some “real” criminal kids in the news check http://criminalmindsatwork.blogspot.com/2010/09/criminal-kids.html
For more information on my novels, visit my website at http://www.eileenschuh.com/
Eileen Schuh,Author
"Schrodinger's Cat"
http://www.eileenschuh.com/
| Click to Sample/Purchase |
Youngsters cast in evil roles pull at caring adults’ heart strings, especially if traumatic life circumstances precede their acts of violence and criminality. The nurture/sympathy vs hatred/fear ambivalence that juvenile criminals arouse can be used to create tension both in co-starring adult characters and in readers.
In addition to the more commonly portrayed child/child and adult/adult relationships, a story with a criminal kid character provides an opportunity to explore the special adult/child relationship. That “position of trust” can be portrayed as protector/protected, teacher/student, leader/follower or perhaps even abuser/abused.
The possibility that one bad choice by a child is going to forever ruin her life creates emotional intensity. A writer can deepen that suspense by having an evil adult character manipulating that criminal child.
Because laws are often much gentler toward youth than adults, the criminal behaviour of kid characters can easily be portrayed as resulting in redemption, salvation, remorse, growth, and learning, which opens the opportunity for creative and fulfilling endings—the story can be about so much more than “crime doesn’t pay” or “the cops always get their man.”
A human being’s brain doesn’t physically develop the full capacity to anticipate the results of one’s actions until one is around 25-years-old. A writer, by exploring the results of poor choices, parasitic relationships, and adult weaknesses and manipulations, can help youngsters avoid making costly and/or deadly mistakes.
Written correctly, novels that include juvenile characters can serve as learning tools not only for children but also for the adults in their lives.
For a peek at some “real” criminal kids in the news check http://criminalmindsatwork.blogspot.com/2010/09/criminal-kids.html
For more information on my novels, visit my website at http://www.eileenschuh.com/
Eileen Schuh,Author
"Schrodinger's Cat"
http://www.eileenschuh.com/
Wednesday, September 29, 2010
Lancelot's Lady: World's Biggest Book Tour
Welcome to the world's largest virtual book tour in celebration of Cherish D'Angelo's debut romance "Lancelot's Lady."I'm honoured to have Cherish visit Magic of the Muses as one of the115+ stops on her book tour.
After reading the following intriguing glimpse into the lives of Cherish's characters, remember to leave a comment and your email address. We will automatically enter you to win some fabulous prizes!
If you have never read an ebook--this would be a great one with which to start. If you don't have an e-reader, purchase Lancelot's Lady from Amazon and you can download a free Kindle ebook reader application for your computer. (hint: ebooks are generally much cheaper than print books).
Romance Author Cherish D'Angelo Talks About First Impressions
by Cherish D'Angelo
When we meet someone for the very first time, our brain processes first impression information about that person―about their appearance, their manners, their education, their friendliness, their financial status and their social standing. It isn't right or wrong; it's just the way humans are wired. Our minds process what we see and paint the most common sense picture to determine if we are going to like them.
A device in writing that I find always intriguing is "mistaken identity" or "mistaken first impression". Having one character mistake another for someone else or mistake something about them can lead to tension, confusion and even comic relief. In my contemporary romantic suspense Lancelot's Lady, my two lead characters are thrown together by what seems to be a huge mistake, and both of them make judgment calls when they first see each other. Take a peek...
“Hey, lady! What the hell are you doing on my island?”Rhianna held her breath and clamped her eyes shut. She didn’t want to face the man whose voice simmered with fury. She was sure that he would look as ugly as he sounded.
Finally, she raised her head and forced herself to focus on the imposing man before her. She took in paint-splattered jeans that hugged well-formed thighs, a purple t-shirt covered in various spatter colors, muscular arms folded in front of an impressive chest, and thick black hair that curled at the nape of his neck.
The contours of his handsome face were chiseled as only an ethereal sculptor could, with strong lines enhanced by a dimple on his left side, the only side unmarked by streaks of paint. His nose was straight and proud, just bordering on arrogant. But it was his eyes that fascinated her. Framed by thick black lashes, they were the deepest sea-blue she had ever seen, and right at this moment, those eyes were trained on her with sniper precision.
She felt her throat constricting. Whether it was from fear or attraction, she didn’t know. But she did know one thing. He was the most gorgeous man she had ever met.
“I asked you a question!” the man demanded. “Who are you and what are you doing here?”
She glared back at him. “My name is Rhianna McLeod. Who are you?”
“I’m no one important.”
Rhianna couldn’t agree more. From the looks of him, he was probably the handyman.
Yeah, Rhianna and her first impressions. All I can say is that they get her into hot water. But she isn't the only one to have a strong first impression. Check out Jonathan's...
Approaching, he surreptitiously studied her. The woman’s creased cotton pants were slightly damp at the hem. The blouse she wore, while feminine, was primly buttoned to the top. And her unmarked suitcase screamed brand new, suggesting this woman either wasn’t well-traveled or worldly, or she was and she bought a new suitcase for every trip.
Rhianna, he recalled.
She had eyes the color of jade, and right now they were flinging daggers at him.
He chuckled. She’s feisty, I’ll give her that.
Now that she was standing, he could see that her head only came as high as his chest, but she was curved in all the right places. She had long, slender legs―the kind he’d like to wrap around him.
Now where the hell did that thought come from?
“Where are you from?” he demanded.
“Miami.”
He let out a huff. “City girl.”
Conflict and sexual tension, with a small dose of humor thrown in, is my recipe for a good romance story, and adding a mistaken identity and mistaken first impressions theme only heats things up more. You know what they say about assumptions.
Lancelot's Lady ~ A Bahamas holiday from dying billionaire JT Lance, a man with a dark secret, leads palliative nurse Rhianna McLeod to Jonathan, a man with his own troubled past, and Rhianna finds herself drawn to the handsome recluse, while unbeknownst to her, someone with a horrific plan is hunting her down.
Lancelot's Lady is available in ebook edition at KoboBooks, Amazon's Kindle Store, Smashwords and other ebook retailers. Help me celebrate by picking up a copy today and "Cherish the romance..."
You can learn more about Lancelot's Lady and Cherish D'Angelo (aka Cheryl Kaye Tardif) at http://www.cherishdangelo.com/ and http://www.cherylktardif.blogspot.com/
Prizes & Giveaways: Follow Cherish from September 27 to October 10 on her Cherish the Romance Virtual Book Tour and win prizes.Leave a comment here, with email address, to be entered into the prize draws. You're guaranteed to receive at least 1 free ebook plus you'll be entered to win a Kobo ereader.
Winners will be announced after October
10th.
Eileen Schuh,Author
Schrödinger’s Cat
http://www.eileenschuh.com/
Monday, September 13, 2010
You know you're a crime novelist when...
The top ten traits of a crime novelist:
10. When you don’t answer the phone because you’ve just stepped out of the shower you worry for the rest of the day that the robber who called to ensure no one was at home is going to show up on your doorstep–or in your basement.
9. When you see the flashers of a cop car behind you, you’re pretty sure they are pulling you over to ask for your help in solving a major crime
8. You are certain that at some point in your life you are going to discover human remains and it won’t be in a funeral home or a graveyard
7. You know the number for Crime Stoppers and have to resist calling in tips on what murder investigators ought to be doing. You also want to read them your list of suspects.
6. You think your novel is more exciting and more realistic than that "other author’s" True Crime books.
5. You vehemently deny that you ever wanted a ‘real’ career in law enforcement. And you lock all your doors and are in bed by 10:00 pm–unless you are in the middle of writing an exciting scene. In which case you go to bed two hours before your alarm goes off.
4. You believe you would be a good candidate for the next Commander in Chief of the RCMP and are a bit disappointed when no one calls.
3. You believe that cops are simply engaging in an grand conspiracy of denial when they say real-life policing is not nearly as exciting as it is on TV.
2. The lady crossing the street in a wheelchair looks suspicious to you.
AND...the top trait of a Crime novelist:
You think publishers are rejecting your manuscripts because they are afraid either the police or organized crime will come after them if they print your novels
Eileen Schuh
Author "Schrodinger's Cat"
http://www.eileenschuh.com/
10. When you don’t answer the phone because you’ve just stepped out of the shower you worry for the rest of the day that the robber who called to ensure no one was at home is going to show up on your doorstep–or in your basement.
9. When you see the flashers of a cop car behind you, you’re pretty sure they are pulling you over to ask for your help in solving a major crime
8. You are certain that at some point in your life you are going to discover human remains and it won’t be in a funeral home or a graveyard
7. You know the number for Crime Stoppers and have to resist calling in tips on what murder investigators ought to be doing. You also want to read them your list of suspects.
6. You think your novel is more exciting and more realistic than that "other author’s" True Crime books.
5. You vehemently deny that you ever wanted a ‘real’ career in law enforcement. And you lock all your doors and are in bed by 10:00 pm–unless you are in the middle of writing an exciting scene. In which case you go to bed two hours before your alarm goes off.
4. You believe you would be a good candidate for the next Commander in Chief of the RCMP and are a bit disappointed when no one calls.
3. You believe that cops are simply engaging in an grand conspiracy of denial when they say real-life policing is not nearly as exciting as it is on TV.
2. The lady crossing the street in a wheelchair looks suspicious to you.
AND...the top trait of a Crime novelist:
You think publishers are rejecting your manuscripts because they are afraid either the police or organized crime will come after them if they print your novels
Eileen Schuh
Author "Schrodinger's Cat"
http://www.eileenschuh.com/
Wednesday, September 1, 2010
A year ago last night...
A year ago last night I smoked my last cigarette, tossed the butt into the campfire, and went to bed. The next three months were hell. I gained 25 pounds over the first four weeks mostly because I bought 3lb bulk bags of Rocket candies. I liked unrolling them from the cellophane. I liked popping them into my mouth, one at a time, and feeling them fizzle and melt on my tongue--tiny bursts of pleasure to replace the quick fix of a cigarette.
I dutifully continued my Champix prescription--the smoking-cessation drug that stole the pleasure from nicotine. Knowing that even if I did sneak a smoke it would do nothing for me, certainly helped keep me from temptation. Although I imagined (and often dreamed) about the relaxation,the stimulation, the comfort, the pain-relief that I'd get from dragging on a cigarette, filling my lungs, and exhaling—the reality was--I'd get no comfort.
Soon, Rockets no longer comforted me, either. The first six months were a continuous battle to find a replacement for cigarettes, a desperate seeking for something to fill that empty, cold, black hole in my gut, my soul, my life.
Excercising, forums/information/support at http://www.quitnet.com/ , pacing, eating, yoga, deep-breathing, family visits, phone calls, hikes, anti-depressants, bubblebaths, wonderfully supportive friends and family.
I create a website, learned to Tweet, began blogging, wrote novels, queried agents,and, yes, signed my very first publishing contract. “Schrodinger’s Cat”, a novella to be released by Wolfsinger Publications in both print and ebook format in 2011, is the fufilment of a childhood dream.
I’ve overcome my agony. I’ve learned, grown, stretched, cried, smiled and laughed. I’ve succeeded. All without the “help” of nicotine. There is a life beyond the butt. I still struggle with weight. Struggle with cravings. Struggle with the emptiness.
The best motto for me is that I can, at any time I want to, light up again. I don't, because I choose not to. That’s an important choice that others under control of the nicotine demons, don’t have. I’m free and intend to remain so.
I donated the first $1,000 I saved to the Haitian Red Cross earthquake relief and the second $1,000 to the Pakistan flood relief effort. It’s neat that so many have benefited from my quitting. It’s incentive for me to keep quit. Someone somewhere in the future is going to need monetary help and I’d feel pretty badly if I’d already wasted those needed dollars on a senseless harmful pleasure.
Thanks, guys for your unfailing support. Share with me in celebrating a full year free from cigarettes.
To join me in supporting the Red Cross Pakistan relief effort visit my personal Red Cross fundraising page http://my.e2rm.com/personalPage.aspx?registrationID=936168
Or visit my website http://www.eileenschuh.com/books-free-reads/ where I’m offering donors a free short story. Links to various charities precede “A Nepaterian Visitation”.
My Quit Smoking diary starts here: http://eileenschuh.blogspot.com/2009/08/on-addiction.html
Eileen Schuh,Canadian writer
http://www.eileenschuh.com/
I dutifully continued my Champix prescription--the smoking-cessation drug that stole the pleasure from nicotine. Knowing that even if I did sneak a smoke it would do nothing for me, certainly helped keep me from temptation. Although I imagined (and often dreamed) about the relaxation,the stimulation, the comfort, the pain-relief that I'd get from dragging on a cigarette, filling my lungs, and exhaling—the reality was--I'd get no comfort.
Soon, Rockets no longer comforted me, either. The first six months were a continuous battle to find a replacement for cigarettes, a desperate seeking for something to fill that empty, cold, black hole in my gut, my soul, my life.
Excercising, forums/information/support at http://www.quitnet.com/ , pacing, eating, yoga, deep-breathing, family visits, phone calls, hikes, anti-depressants, bubblebaths, wonderfully supportive friends and family.
I create a website, learned to Tweet, began blogging, wrote novels, queried agents,and, yes, signed my very first publishing contract. “Schrodinger’s Cat”, a novella to be released by Wolfsinger Publications in both print and ebook format in 2011, is the fufilment of a childhood dream.
I’ve overcome my agony. I’ve learned, grown, stretched, cried, smiled and laughed. I’ve succeeded. All without the “help” of nicotine. There is a life beyond the butt. I still struggle with weight. Struggle with cravings. Struggle with the emptiness.
The best motto for me is that I can, at any time I want to, light up again. I don't, because I choose not to. That’s an important choice that others under control of the nicotine demons, don’t have. I’m free and intend to remain so.
I donated the first $1,000 I saved to the Haitian Red Cross earthquake relief and the second $1,000 to the Pakistan flood relief effort. It’s neat that so many have benefited from my quitting. It’s incentive for me to keep quit. Someone somewhere in the future is going to need monetary help and I’d feel pretty badly if I’d already wasted those needed dollars on a senseless harmful pleasure.
Thanks, guys for your unfailing support. Share with me in celebrating a full year free from cigarettes.
To join me in supporting the Red Cross Pakistan relief effort visit my personal Red Cross fundraising page http://my.e2rm.com/personalPage.aspx?registrationID=936168
Or visit my website http://www.eileenschuh.com/books-free-reads/ where I’m offering donors a free short story. Links to various charities precede “A Nepaterian Visitation”.
My Quit Smoking diary starts here: http://eileenschuh.blogspot.com/2009/08/on-addiction.html
Eileen Schuh,Canadian writer
http://www.eileenschuh.com/
Thursday, August 12, 2010
More Tip Bits from Cheryl
Cheryl's last blog on writing gripping first chapters was very popular with my readers. This one, undoubtedly, will be, too.
Creating a Gripping First Chapter: Part 2 - Chapter Hooks
©2007 Cheryl Kaye Tardif
In fiction, once you've grabbed the reader's attention and reeled them in, you must keep them engaged. You don't want them to put your book down. You want them to turn the next page. Since the end of a chapter often symbolizes a 'stop' to many readers, you want to give them a reason to start reading the next chapter. To accomplish this, consider using Chapter Hooks at the end of each chapter.
Chapter Hooks
A chapter hook is simply a method of ending a chapter on a “cliffhanger”. Most readers are tempted to dog-ear or bookmark and put down a book when they’ve finished a chapter. You don’t want them to do this. You want them to feel compelled to turn the page and start reading the next chapter. One of the easiest ways is to use a chapter hook. You basically end the chapter with a line of text that foreshadows an event.
She upended the envelope and a small box dropped into her hand. She grinned at the delivery man. “It’s my birthday.”
“The box says Bella Jewelers,” the man said. “Happy birthday.”
She closed the door, her heart skipping a beat as she stared at the small box in her hand. Had Roger sent her the bracelet she’d told him about?
She giggled, then opened the box. When she peeled off a square of cotton, she let out a startled gasp. Then, staring at the gift, she did something she didn’t expect.
She screamed.
When the author leaves the chapter with this hook, we just have to find out what’s in that box. So we turn the page and read the next chapter.
Chapter Five
The box sat on the table, a pool of blood oozing from one corner.
“This can’t be happening,” she whispered.
She peeked again, this time holding her breath. And there it was. A bloody finger. A small, bloody finger.
Many of the current bestselling authors use this technique in their work. Some use it at the end of nearly every chapter. The key is to vary the hooks. Make sure that some are action sequences, some are dialogue, some are narrative.
Think of one-liner hooks—sentences you could use at the end of a chapter.
My mother sat down at the table and calmly told me how my sister died.
“Don’t open that!” Frank snapped.
When Justin turned the corner, he came face-to-face with the last person he expected to see.
Dr. Morgan frowned and pointed to the x-ray. “What the heck is that?”
There were secrets in my family. And one of them has haunted me for years.
Using chapter hooks will make your book more interesting to the reader. And more importantly, it will keep them reading.
Cheryl Kaye Tardif is a bestselling author who lives in Edmonton, Alberta, Canada. Her novels feature varying elements of suspense, from light mystery in Whale Song to her gripping techno-thriller The River to her paranormal thriller Divine Intervention. Her latest releases are Skeletons in the Closet & Other Creepy Stories and her award winning novelette Remote Control. Cheryl has also branched out into romance, under the pen name Cherish D'Angelo, and Cherish's debut romantic suspense Lancelot's Lady will be releasing on September 27th, 2010. http://www.cherylktardif.com/ and http://www.cherishdangelo.com/
Watch for my upcoming review of Cheryl's "Whale Song" in my October PopSyndicate KidLit 101 column. http://popsyndicate.com/books/book-interviews/151-kid-lit-101
Eileen Schuh,Canadian writer
http://www.eileenschuh.com/
Creating a Gripping First Chapter: Part 2 - Chapter Hooks
©2007 Cheryl Kaye Tardif
In fiction, once you've grabbed the reader's attention and reeled them in, you must keep them engaged. You don't want them to put your book down. You want them to turn the next page. Since the end of a chapter often symbolizes a 'stop' to many readers, you want to give them a reason to start reading the next chapter. To accomplish this, consider using Chapter Hooks at the end of each chapter.
Chapter Hooks
A chapter hook is simply a method of ending a chapter on a “cliffhanger”. Most readers are tempted to dog-ear or bookmark and put down a book when they’ve finished a chapter. You don’t want them to do this. You want them to feel compelled to turn the page and start reading the next chapter. One of the easiest ways is to use a chapter hook. You basically end the chapter with a line of text that foreshadows an event.
She upended the envelope and a small box dropped into her hand. She grinned at the delivery man. “It’s my birthday.”
“The box says Bella Jewelers,” the man said. “Happy birthday.”
She closed the door, her heart skipping a beat as she stared at the small box in her hand. Had Roger sent her the bracelet she’d told him about?
She giggled, then opened the box. When she peeled off a square of cotton, she let out a startled gasp. Then, staring at the gift, she did something she didn’t expect.
She screamed.
When the author leaves the chapter with this hook, we just have to find out what’s in that box. So we turn the page and read the next chapter.
Chapter Five
The box sat on the table, a pool of blood oozing from one corner.
“This can’t be happening,” she whispered.
She peeked again, this time holding her breath. And there it was. A bloody finger. A small, bloody finger.
Many of the current bestselling authors use this technique in their work. Some use it at the end of nearly every chapter. The key is to vary the hooks. Make sure that some are action sequences, some are dialogue, some are narrative.
Think of one-liner hooks—sentences you could use at the end of a chapter.
My mother sat down at the table and calmly told me how my sister died.
“Don’t open that!” Frank snapped.
When Justin turned the corner, he came face-to-face with the last person he expected to see.
Dr. Morgan frowned and pointed to the x-ray. “What the heck is that?”
There were secrets in my family. And one of them has haunted me for years.
Using chapter hooks will make your book more interesting to the reader. And more importantly, it will keep them reading.
Cheryl Kaye Tardif is a bestselling author who lives in Edmonton, Alberta, Canada. Her novels feature varying elements of suspense, from light mystery in Whale Song to her gripping techno-thriller The River to her paranormal thriller Divine Intervention. Her latest releases are Skeletons in the Closet & Other Creepy Stories and her award winning novelette Remote Control. Cheryl has also branched out into romance, under the pen name Cherish D'Angelo, and Cherish's debut romantic suspense Lancelot's Lady will be releasing on September 27th, 2010. http://www.cherylktardif.com/ and http://www.cherishdangelo.com/Watch for my upcoming review of Cheryl's "Whale Song" in my October PopSyndicate KidLit 101 column. http://popsyndicate.com/books/book-interviews/151-kid-lit-101
Eileen Schuh,Canadian writer
http://www.eileenschuh.com/
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