Monday, July 25, 2011

Combining Fantasy & Reality

I welcome author, Jeff Bennington, to Magic of the Muses, just as today he welcomes me to his blog--The Writing Bomb: Thriller of the Week

In my novella SCHRÖDINGER'S CAT, I stick a bit of SciFi into a very realistic setting--thereby creating in my readers the uneasy feeling that such events could just possibly also happen to them.

Likewise, in REUNION Jeff  sprinkles a bit of the supernatural into his research on school shootings--enticing his readers to abandoned the confines of reality and participate in a thrilling journey.

How the heck do novelists come up with such bizarre ideas?  Here's how Jeff says he came by his...

Plotting a Supernatural Thriller.
By Jeff Bennington

I’d like to provide a little insight into the mind of a writer by telling you how I plotted a novel that is not only a supernatural thriller, but one that covers two very sensitive subjects: school shootings and bullying.

To begin with, I was inspired to write Reunion by the many unanswered questions I had about the victims of school shootings and what their futures hold. I also discuss this in detail in the book’s forward so I won’t go into that here. I will tell you, however, that my brain does funny things. My memory is short, but the right side of my brain, the creative side is very, very busy. I always have a song in my head to which I’m drumming and there is always a creative thought, lyric, or story taking place. I don’t fully understand it, but that’s just the way it is with me.

Now, back to the plotting. 

My point is, I can’t help that I created a book about the survivors of a school shooting. That’s how my brain works. Give me some facts and figures and my brain goes to mush. Give me an idea or a melody and my electrical pulses light up like Washington D.C. on the fourth of July! So when I started to wonder about the victims, the families, the survivors and the community who suffer from these tragic events, my mind’s call to action was to jot down the first thing that came to mind…what will these poor kids lives look like in twenty years?
Nobody was asking that question. People were angry about the rash of school violence. Some were confused. Many demanded justice and answers, looking for the cracks in the system that could be to blame. But in all the news reports, I never heard anyone ask, “How will this affect these kids and their families in the long term. No one mentioned post-traumatic stress disorder (PTSD). No one mentioned flashbacks. Were there vigils? Yes, and rightly so. But I thought someone should offer a vigil that fast-forwards twenty years to honor the survivors and all the victims including the parents of these children.
"I then created their pasts and their futures..."
The challenge of Reunion was to pull together all potential responses and fit them into a story. I had to create a pool of characters that manifested the dark side of PTSD as well as the quick healing personalities of those who choose to use their experience in a positive way. I then created their pasts and their futures. There were many questions. Who would stay in the town where the shooting occurred?  Who would go far away as soon as possible?

Not only did I imagine these characters becoming something very different from who they were as teenagers, I imagined how they would interact. Some will marry their high-school sweethearts and some will return twenty years later with a huge hole in their heart. The past in itself is a force that they all must face head on. 

Reunion brims over with not only internal conflicts but interesting group dynamics as well. After creating a character sketch for each member of the cast, I began to weave them into a plot outline that was nothing more than vague ideas about the morning of the massacre and about children coming and going. The characters began bringing that skeletal plot alive—started it moving and performing with student interactions and relational colors that I hadn’t anticipated when I first considered the concept. 

Author, Jeff Bennington
I can’t tell you how excited I felt knowing that after three chapters, I had a glowing cast of characters that would make an incredibly colorful group of adults. I knew that ironically, once that tragic moment changed them, their personalities would come alive. 

The hard part was to make them realistic, fit them into a supernatural concept, and maintain my integrity as an author. And that’s where the research into post-traumatic stress disorder and school shootings came into play. Of course I knew I could be body slammed as an author if I didn’t get it right because this is holy ground, a very sensitive topic. From the very beginning I worried that the story could be hurtful. So I took extra care in showing respect for everyone who may have been impacted by such an event. So far the reviewers think I did a good job, and that means a lot to me. 
"It has everything you want in a book..."

I hope you get a chance to read Reunion. It has everything you want in a book: suspense, action, romance, tragedy and hope. It’s all in there. 

In the words of bestselling author and Bram Stoker nominee, Scott Nicholson, “Bennington takes what could easily be an exploitable and prurient subject—school violence—and instead turns it into a poignant lesson. Good crisp writing and believable characters get you into the heart of the story and explores how different people respond to tragedy…”

That is what I had hoped to do from the moment I began to scribble in my black book of ideas. From a short paragraph, to chapter outlines, to complete character profiles, it all came together, somehow, magically transporting the reader into the lives of six survivors of one of the most unimaginable moments of our time.

Jeff Bennington
Author of Reunion and the blog, The Writing Bomb


To purchase or sample REUNION:Amazon


Eileen Schuh, Author THE TRAZ; Schrödinger's Cat


Sample/purchase THE TRAZ: Smashwords or Amazon
Web site: http://www.eileenschuh.com
Blog: http://eileenschuh.blogspot.com

Friday, July 15, 2011

An emotional journey...

Don't write what you know; write what you care about -- passionately!

That’s the advice on my publisher’s home page WolfSinger Publications and that, says my book marketing coach is what sells books.  Passion and emotion, says Cheryl Tardif, establish a deep connection between reader and writer.

I am passionate about my books, surprisingly so, sometimes.  I decided long ago that I wanted to write trade fiction, I wanted to entertain.  I did not want to be scholarly or literary or poetic. I wanted to get out of Journalistic writing.  I did not want to change the world.  Just entertain.  I wanted to appeal to the masses.  

It turns out, however, that’s not at all what I wanted.  I’m not sure how social importance snuck its way into The BackTracker series.  Not sure when I noticed it was there.  Not sure when I realized THE TRAZ had value waaay beyond pure entertainment.

I wrote the BackTracker series during a very low and lonely time in my life.  It was a time that had absolutely nothing to do with youngsters, or bikers, or drugs, or cops.  It had to do with being so alone, and hurting, and devasted, and lost that when a cast of fictional characters began mentally dictating their stories to me, it didn’t seem strange.  I enjoyed their company and became immersed in their tales, both day and night. 
The BackTracker characters followed me to S.Korea--resulting in my novel, NORAEBANG

I cared deeply about those characters.  I worried about what was to become of them and wondered where it was they had come from--what it was that had moulded them into the hurting, angry, caring, courageous, and at times maddening people they’d become.

That they were revealing my soul, not their mythical ones, did not occur to me because, after all, they were totally different from me.  They swore a lot (even the f-word), sold drugs, and murdered. Their lives were full of relationships and adventures. They faced danger.  They looked death in the eye.

My BackTracker characters were doing things, striving for things, accomplishing things.  They were growing, overcoming past traumas. Controlling their destinies.  I knew beyond a doubt that they would eventually win their battles—and the bad guys would lose theirs.

My daughter told me writing was good therapy for me.  I thought she meant it kept me busy doing something so that I didn’t have to think about all that was wrong in my life. When one of my promoters demanded that I cough up the story (MY story) behind the series I began to realize how much of myself--my problems, my pain, and yes, my courage--coursed through these books. 

Not until I was told to pick a target readership for THE TRAZ  did it dawn on me that others, too, could not only enjoy but also learn from these stories.  Although the stories arose from my pain and delivered their lessons to me, they were meant to be shared.  The BackTracker books could touch and heal other souls.  They were, beyond a doubt, much more than pure entertainment.  They contained deep messages—not just notes to myself, but notes to young people and notes to the adults in their lives. 

These messages, woven into the stories’ emotional, exciting, thrilling, and dangerous plots, could reach out and touch and change.  THE TRAZ could help keep kids safe.

What a neat thing to discover about one’s life’s work.  



THE TRAZ Soon to be released in paperback
Available as an ebook at:

Eileen Schuh, Canadian writer www.eileenschuh.com

Click on graphic for info

Wednesday, July 6, 2011

First Steps to Print Publishing

As soon as The Traz was posted for sale as an eBook on Amazon and Smashwords, plans were underway to bring out a print edition.

There was more to this process than I expected and it all had to be done while promoting the eBook release with tweets, guest blogs, press releases, radio interviews, etc.

It was also exactly at that time that WolfSinger Publications informed me the edited copy of my manuscript SCHRÖDINGER'S CAT was ready for my approval and the cover artist needed my input.

Throw in an out-of-town July long-weekend wedding, and I knew there would not be much Bubble Shooting playing happening for a while.  What I didn't know was how much I didn't know about self-publishing in print.

The first  thing I learned was that although the image from The Traz eBook cover could be used for the paperback version, it had to be entirely reformatted and re-sized, it had to include a back cover and a spine, and it also had to include 'back cover copy'.  Oh, and by the way, I needed a new ISBN for the print version.

Although I could reuse the book descriptions I'd written for Amazon and Smashwords eBook editions for the back cover, I needed to add blurbs and reviews from important authors and reviewers.  I spent quite a bit of time emailing people, offering them free copies of THE TRAZ to preview and review, and waiting for replies.  June seemed to be an exceptionally busy month for many authors besides me.  I had to delay my graphic designer for 2 weeks as I waited for the elusive words of praise to trickle in.

Some of those elusive blurbs as they'll appear on the back cover

While my cover designer, Jennifer Johnson http://designs.sapphiredreams.org waited for my blurbs, my good friend Cheryl Kaye Tardif http://www.shamelesspromoter.blogspot.com/ reformatted the inside text to suit the printer.  She did what she could but also had to wait for the reviews--as we wanted to include some on the inside front pages.

Finally, we got the praises we needed, Cheryl finished formatting and gave me a page count--something the design artist was also waiting for as she needed to know how wide to make the spine graphic.

As work progressed, I realized I didn't have a logo for my publishing company, Kastle Harbour Publishing.  So Jenn kindly created a simple but spiffy logo and found a spot for it on the back cover.

New logo for Kastle Harbour Publishing

I had decided to use Createspace to print my book because it has a  reputation for outstanding cutomer service.  When all preparations were finalized it was time to upload everything to their publishing website.  I found their instructions were clear and easy to follow, but there were many decisions that had to be made, such as genre of book, age level of targeted readership, price of book, distribution channels.  There were several upgrade options to consider.  It took me a good eight hours to get through the process.

When I hit the "Complete" button, everything went to their previewers for approval.  Meanwhile, as it was only shortly after midnight, I decided to up load the new inside pages containing the blurbs to my eBook sites.  Somewhere during that process I  noticed the inside picture of the cover had the word "PROOF" stamped across it.  This gave me an entirely new perspective of my coach's command to proof my manuscripts carefully.

The wrong cover. Stamped "PROOF"


Since it was only shortly after 1 a.m. and I had to re-upload that PROOF pic, I decided to delete all occurances of the old eBook cover and substitute them with my new paperback cover, which was slightly different in that it has words of praise on the front and an altered title patch.
Front, back, and spine for paperback edition

Since it was slightly after 2:30 a.m. when I finished this task (I had to learn to convert png files to jpeg and pdf to .doc , etc. etc.) I went to bed.

This morning I got a lovely email from Createspace that all was right with my upload and I could order a proof copy of the paperback.

On Wednesday 20 July, 2011, Canada Post willing, I may hold in my very own little hot hands a paperback with my name on the front cover.

Eileen Schuh, Canadian Author
THE TRAZ ; Schrödinger's Cat

THE TRAZ available as an eBook on Amazon, Smashwords, Apple iPhone library, Barnes & Nobel, etc.
Author's website:www.eileenschuh.com